Every Time We Say Goodbye: confronting the past and facing the future in post war Europe

Every Time We Say Goodbye by Natalie Jenner is the third book in the Jane Austen Society series. In a story of love and art, of grief and memory, and of confronting the past and facing the future, it opens in 1955, as Vivian Lowry faces an uncertain future. After a poorly reviewed play that threatens her career as a dramatic playwright, she takes a job as a script doctor on a major film shooting in Rome’s Cinecitta Studios. There she finds a movie filled with rising stars, acclaimed directors and famous actors. The cast and crew find themselves torn between the past and a possibly brighter future, between the liberation of the post war cinema and the restrictions imposed by the Catholic Church. On a personal note, Vivien begins to learn the long-buried truth of what really happened to her deceased fiancé during the war. 

As a fan of The Bloomsbury Girls, I was looking forward to Every Time We Say Goodbye. I enjoy stories that feature life in the postwar world. Unfortunately, the story fell flat very quickly. The opening prologue was captivating and I was eager to discover more. However, the story that followed left me confused and lost. There were just so many characters. It was hard to keep track of who was who without stopping every other page to take notes and took me out of the story every time. I didn’t care for Vivien. I found her harsh and lacking any warmth or likability. I did enjoy learning about the famous Cinecitta Studios and the classic American movies that were filmed there. If you enjoyed Ms. Jenner’s The Jane Austen Society and The Bloomsbury Girls, I suggest giving Every Time We Say Goodbye a try. You may enjoy it more than I did. 

Every Time We Say Goodbye will be available 

in hardcover, eBook, and audiobook May 14, 2024

The Porcelain Maker: one daughter's search into the secrets of the past

The Porcelain Maker by Sarah Freethy is a story of love, betrayal and art inspired by the actual porcelain factory in Dachau. From the horrors of World War II to America, two lovers are caught at the crossroads of history and a daughter’s search for the truth. In 1929, Germany, Max, a skilled Jewish architect, and Bettina, an avant-garde German painter, met and the sparks were immediate. Their whirlwind romance takes them to the dazzling lights of Berlin but they are met with the darkness as Nazism becomes the rising threat to all they love and hold dear. When Max is arrested and sent to the Dachau concentration camp, Bettina is determined to rescue him and escape Germany. In 1993, Clara, Bettina’s daughter, is on a journey to discover the identity of her father, a second her mother took to her grave. As she traces her mother’s past, Clara is left with questions as to why her mother fought so hard to keep her past hidden. 

While I have a bit of World War II fatigue with the ever growing number of books which feature World War II, I was intrigued by a story I haven’t heard before. I was hooked in by the opening chapter as Clara is tracing down porcelain figures linked to her mother. I loved the electric and flirtatious meeting between Max and Bettina. However, the book fell fast. I was confused by the back and forth in time and places. Who’s who and how they all fit into the story of the concentration camp and the porcelain factory. Sadly, even the emotional moments that should have been more powerful and poignant fell flat. I didn’t care for Bettina or even Clara as she is on this journey. Max was a decent character. Overall, I appreciate the author’s desire to bring the story of Dachau to light, but The Porcelain Maker was uninteresting and too drawn out. However, if you enjoy World War II stories, you may enjoy The Porcelain Maker. 

The Porcelain Maker is available in hardcover, eBook and audiobook